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Guerman М. Pablo Picasso The Absinthe Drinker

Elizabeth Cowling. Picasso Portraits


From the beginning of his career until its end, Pablo Picasso's prime subject was the human figure, and portraiture remained a favorite genre for the artist. Picasso's portraiture reflected the full range of his innovative styles--Symbolist, Cubist, Neoclassical, Surrealist, Expressionist. Depicting people in his intimate circle rather than working to commission enabled Picasso to take an expressive, radically experimental approach to making portraits. However extreme his departure from representational conventions, Picasso never wholly abandoned drawing from the sitter or ceased producing portraits of classic beauty and naturalism. He remained in constant dialogue with the art of the past, and his portraits often alluded to canonical masterpieces. Treating favorite Old Masters as indecorously as his intimate friends, he created suites of free “variations" after Velázquez's “Las Meninas" and Rembrandt's “The Prodigal Son." These dizzying stylistic shifts of Picasso's long career can be traced through their manifestations in his portraits. Picasso Portraits tells this story thematically, with a focus on Picasso's creative process rather than his biography. Issues addressed in depth in this volume include Picasso's exploitation of familiar poses and formats, his sources of inspiration among the Old Masters and the relationship between observation, memory and fantasy. The legendary life and career of Pablo Picasso (1881–1973) spanned nearly the entire 20th century and ushered in some of its most significant artistic revolutions. Hard to overestimate in importance or originality, Picasso's style is perhaps best captured in the words of his friend Paul Éluard: “Picasso paints like God or the devil."

5210 RUR

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Didier Ottinger. Picasso.Mania. Picasso and the Contemporary Masters


As the co-founder of cubism and a prolific painter, sculptor, printmaker, and more, Pablo Picasso was one of the greatest artists of the twentieth century. He was also one of the most influential—his work haunted the imagination of his peers and has frequently been echoed in contemporary art. In Picasso.Mania, Didier Ottinger, Diana Widmaier-Picasso, and Emilie Bouvard bring together a distinguished group of contributors to showcase the rich engagement with Picasso's work that has inspired artists for decades. To trace Picasso's influence, the essays return to the 1960s, when Picasso's vibrant presence struck a chord in pop art and narrative figuration, and artists like Andy Warhol and Roy Lichtenstein returned to Picassien archetypal figures. Not long after, Martin Kippenberger's self-portraits revealed the impact of Picasso's public image on the imagination of twentieth-century artists, while David Hockney's Polaroid composites and multiscreen videos echoed Picasso's exploration of a polyfocal space. These essays also explore the ways Picasso's stylistic eclecticism and the free craftsmanship of his later paintings inspired artists like Georg Baselitz, Jean-Michel Basquiat, and Julian Schnabel, while more recently, Rineke Dijkstra's video installation I See a Woman Crying (Weeping Woman) illustrated Picasso's presence in contemporary art's most diverse means of expression—cinema, digital images, and even comic strips. With three hundred illustrations of works by Picasso and contemporary artists and an interview with Phillipe Sollers by Stéphane Guégan, Picasso Mania is sure to become an authoritative work on the Spanish master's connection to contemporary art.

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Willi Bloess Milestones of Art: Pablo Picasso: The King


Involved in expressionism, cubism, and surrealism, Picasso was an outstanding painter during the first half of the 20th century. Innumerable publications to his person have appeared. In contrast to them, this short guide delivers an overview of the life and work of the controversial genius in not so many words and entertaining pictures. By developing a cubistic-influenced comic style, author Willi Bloess and illustrator Thomas Thiesen come close to their aim: explaining art by art.

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Gertrude Stein PICASSO (Unabridged)


As the butch doyenne of the Parisian Salons, Gertrude Stein captures the heart of Picasso in that context and gives insights on how Picasso worked as an artist and why Cubism came about in the way that it did. Also, this portrait of Picasso contains pretty clear description of Cubism and reveals a lot about relationship between Picasso and Stein without revealing a lot of actual events in either of their lives. Gertrude Stein (1874-1946) was an American novelist, poet, playwright and art collector, best known for Three Lives, The Making of Americans and Tender Buttons. Stein moved to Paris in 1903, and made France her home for the remainder of her life. Picasso and Cubism were an important influence on Stein's writing. Her works are compared to James Joyce's Ulysses and to Marcel Proust's In Search of Lost Time.

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Richardson J.. Picasso and the Camera


With many never-before-published photographs taken by the artist, as well as paintings, drawings, sculptures, prints, and films, this volume offers an unparalleled examination of Pablo Picasso’s relationship to photography.

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Picasso (Twentieth century masters)


Pablo Diego Jose Francisco de Paula Juan Nepomuceno Maria de los Remedios Cipriano de la Santisima Trinidad Ruiz y Picasso was a Spanish painter, sculptor, printmaker, ceramicist and theatre designer who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture,[5][6] the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian airforces during the Spanish Civil War.

1830 RUR

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Malte Herwig The Woman Who Says No


Pablo Picasso called Françoise Gilot “The Woman Who Says No.” Tiny, talented, and feisty, and an accomplished artist in her own right, Gilot left Picasso after a ten-year relationship, the only woman to escape his intense attentions unscathed. From 2012 to 2014, German journalist and author Malte Herwig dropped by her ateliers in Paris and New York to chat with her about life, love, and art. She shared trenchant observations, her sharp sense of humor, and over ninety years of experience, much of it in the company of men who changed the world: Picasso, Matisse, and her second husband, the famous virologist Jonas Salk, developer of the polio vaccine. Never one to stand in the shadows, Gilot engaged with ground-breaking artists and scientists on her own terms, creating from these vital interactions an artistic style all her own, translated into an enormous collection of paintings and drawings held by private collectors and public museums around the world. In her early nineties, she generously shared her hospitality and wisdom with Herwig, who started out as an interviewer but found himself drawn into the role of pupil as Gilot, whom he called “a philosopher of joy,” shared with him different ways of seeing the world.

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Picasso. The Late Work


In his late years, Picasso embraced painting, drawing, and sculpture with renewed vigor. His obsession with the female form grew more intense as he portrayed Jacqueline Picasso, his second wife, in hundreds of works, more than any of his other muses. This book offers the public the first chance to view never-before exhibited works and many that are rarely seen, all dating from the late period of Picasso's career. Beautifully reproduced images reveal the ways Picasso continued to reinvent his art as he aged. This book also features fascinating insights into how Picasso's contemporaries reacted to this stage of his oeuvre, his relationships with younger artists and with popular culture, and the pivotal role played by Jacqueline Picasso within the artist's enduring legacy.

4290 RUR

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Anne Girard Madame Picasso


THE MESMERISING AND UNTOLD STORY OF EVA GOUEL, THE UNFORGETTABLE WOMAN WHO STOLE THE HEART OF THE GREATEST ARTIST OF OUR TIMEWhen Eva Gouel moves to Paris from the countryside, she is full of ambition and dreams of stardom. Though young and inexperienced, she manages to find work as a costumier at the famous Moulin Rouge and it is here that she first catches the attention of Pablo Picasso, a rising star in the art world.A brilliant but eccentric artist, Picasso sets his sights on Eva and Eva can’t help but be drawn into his web. But what starts as a torrid affair soon evolves into what will become the first great love of Picasso’s life.With sparkling insight and passion, Madame Picasso introduces us to a dazzling heroine, taking us from the salon of Gertrude Stein to the glamorous Moulin Rouge and inside the studio and heart of one of the most enigmatic and iconic artists of the twentieth century.Discover more at www.AnneGirardAuthor.com

140.52 RUR

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Anne Girard Madame Picasso


THE MESMERISING AND UNTOLD STORY OF EVA GOUEL, THE UNFORGETTABLE WOMAN WHO STOLE THE HEART OF THE GREATEST ARTIST OF OUR TIMEWhen Eva Gouel moves to Paris from the countryside, she is full of ambition and dreams of stardom. Though young and inexperienced, she manages to find work as a costumier at the famous Moulin Rouge and it is here that she first catches the attention of Pablo Picasso, a rising star in the art world.A brilliant but eccentric artist, Picasso sets his sights on Eva and Eva can’t help but be drawn into his web. But what starts as a torrid affair soon evolves into what will become the first great love of Picasso’s life.With sparkling insight and passion, Madame Picasso introduces us to a dazzling heroine, taking us from the salon of Gertrude Stein to the glamorous Moulin Rouge and inside the studio and heart of one of the most enigmatic and iconic artists of the twentieth century.Discover more at www.AnneGirardAuthor.com

558.4 RUR

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Christian D. Kettler The God Who Rejoices


How does one deal with despair? Are joy and despair irreconcilable? How does the joy and despair of Jesus Christ relate to our joy and despair?
Continuing to explore the implications of the vicarious humanity of Christ as he did in The God Who Believes, Christian Kettler investigates the christological implications of the all too human phenomenon of despair. All people experience the pain of personal loss and lack, of the meaninglessness of existence. We also desire and covet joy, as difficult as it is often to define or maintain. Jesus was both «the man of sorrows» and one who «for the joy set before him endured the cross» (Heb 12:2). Can we think of the despair of Christ and the joy of Christ as both being vicarious, in our place and on our behalf, and thus have a theological way to possess joy in the midst of despair as well as to have a more robust theology of the atonement? Drawing on wide-ranging resources from Augustine, Calvin, Karl Barth, and T. F. Torrance to Bob Dylan, the fantasy writer Ray Bradbury, and Ed Wood, the director of Plan Nine from Outer Space, Kettler seeks to bring Trinitarian and incarnational theology deep into our flesh, filled with real despair and joy, and find that Jesus is there, with his own despair, there to lift us up with his own joy.

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Pablo Picasso Art Exhibition Ceramic Digital Download Poster Vintage Print

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John Richardson. Picasso: Minotaurs and Matadors


Curated by noted Picasso biographer John Richardson, this exhibition catalogue examines the intersection of Picasso's bullfighting imagery with the mythological (and biographical) compositions of the 1930s. Including works dating from 1897 to 1972, this fully illustrated catalogue presents a career-long survey of Picasso's engagement with ancient bullfighting and mythological narratives and includes essays by noted Picasso scholars Michael FitzGerald and Gertje Utley.

8490 RUR

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portrait canvas painting Pablo Picasso Woman in an Armchair portrait masterpiece reproduction free shipping

Pablo Munoz Iturrieta The Meaning of Religious Freedom in the Public Square

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